All arrangements cost £25 unless otherwise stated.
Arrangements are scored for 5 trumpets, 5 trombones, 5 saxophones, 4 rhythm.
Most also have flute, french horn (optional)
Most have lead sheets, but where no lead sheet exists, it is always possible to purchase full scores.
| Aardvark (Paul Higgs) | Bright Latin | Trombone |
| Adeus Tristeza (Fernando Tordo) | Slow Latin | Flügel, Guitar |
| Afterburner (Alan Hare) | Bright swing | Tenor, trombone, piano |
| Afterthought (Harry South) | Bright swing | Transcribed solo |
| Albufeira (Steve Titchener) | Bright blues | Piano, tenor, tbn, tpt |
| All But One (Dick Walter) | Bright swing | Alto feature |
| Almost There (Anthony Adams) | Slow Rock | Guitar |
| Along Came Benny (Steve Duro) | Medium Up | Features trumpet, alto, tenor |
| Amelia (Jamie Anderson) | Slow ballad | Tenor |
| And Henry Guards the Door (Gerry Smith) | Fast blues | Can feature anyone |
| Andromeda (Ronnie Ross, arr. Bill Charleson) | Slow ballad | Baritone |
| Anita (J Ruddick arr. M Williams) | Bright Latin | Flügel |
| Are We Keeping You Up Sir? (Dick Walter) | Medium blues | Pno, tbn, tpt, tnr, drums (exc. unaccompanied sax soli) |
| Astra Brazilia (Stee Titchener) | Bright Latin | Trombone, baritone, drums |
| The Audient Was On Its Foot (Bill Charleson) | Bright | Trumpet, alto, drums, bass |
| Australian Opener (Rick Taylor) | Fast | Trombone, tenor |
| Baby Bird (Gerry Boyce) | Medium swing | 2 Flugels |
| Bach With Bite (Paul Hart) | Bright Swing | All written |
| Back Again (Dankworth, Lindup) | Bright | Any soloist |
| Back to Basie (Steve Parry) | Slow swing | Trumpet |
| Bali - Who? (Paul Higgs) | Bright Latin/swing | Open solos, drums |
| Ballad for Anne Boleyn (Tim Garland) | Slow ballad | Tenor, guitar |
| Ballad for Bing (David Lindup) | Trumpet ballad | Written solo |
| Ballad for Brigitte (Alan Hare) | Slow Ballad | Baritone, full score |
| Ballot Box (Mark Armstrong) | Rock | Tenor, guitar |
| Bangers, Mash & Peas (Ken Gibson) | Rock | Trombone |
| BARKER IS WILLING | Evan Jolly | |
| Behind the Gasworks (Mark Bassey) | Bright swing | Trumpet, alto |
| Bess, You Is My Woman Now (Gershwin, arr. David Lindup) | Slow ballad | Tenor or baritone |
| Bess, You Is My Woman Now (Gershwin, arr. Barry Forgie) | Slow ballad | Bass, trombone |
| Beyond the Bar (John Patrick) | Medium | Mostly ensemble |
| Beyond the Hatfield Tunnel (Paul Hart) | Bright | Sop. or tnr + gtr or pno |
| Big Mama (Stephen Parry) | 'Stripper' feel | Trumpet |
| Bitter from the Wood (Dave Horler) | Bright | Flügel, tbn, tenor |
| Black Eyed Peas (Harry South) | Slow Rock | Trumpet, tenor |
| Blenkinsop's Blues (Bill Ashton) | Medium | Trombone, bass, trumpet |
| Blood Orange (Bill Ashton) | Bright swing | Tnr, tbn, alto, bari, gtr. |
| Blowing Hills (Rick Taylor, Kim Lesley) | Bright rock | Piano, guitar |
| Blue Dolphin (Alec Gould) | Slow ballad | Alto feature |
| Blues Called Blues (Ed Harvey) | Slow | Altos, trumpet, tenor |
| Blues for Bill Basie (Pete Jeffries) | Medium slow | Tenor feature |
| Blues for Duke (Alan Hare) | Slow then fast | Tenor, trombone |
| Blues for Mike (Alan Hare) | Slow | Baritone |
| Blues für Elise (Paul Hart) | Fast blues | Alto, 2 trombones |
| Blues Two (Alan Hare) | Medium blues | 2 trumpets |
| Bom Dia, Roseira (Rosie A) (Anthony Adams) | Slow ballad | Guitar |
| Bones for Basie (Alan Hare) | Fast | 2 Trombones |
| Bone Idle Rich (Ken Woodman) | Bright | Trombone section feature |
| Bone Shaker (Alan Hare) | Fast | 4 Trombones |
| Bone Structure (Alec Gould) | Bright | Trombone section, written solo |
| Borrowed Time (Colwell, arr. Chris Smith) | Ballad | Alto feature |
| Bristol Cream (Ed Harvey) | Med. Basie swing | Trumpet |
| Bruised Blues (Chris Smith) | Medium blues | Pno, tpt, 2 tnrs, 2 tbns |
| Bud (Monty Warlock, arr. Chris Smith) | Fast | Piano feature |
| Buffle Off to Shuffalo (Tony Faulkner) | Medium shuffle | Trombone, alto |
| But Not for Me (Gershwin, arr. Steve Duro) | Bright | Trumpet, tenor |
| Cai Fora (Fernando Tordo, arr. Josh Daniels) | Medium | Piano |
| Cannonball (John Dankworth) | Med. jazz waltz | Alto feature |
| Cartaz de Rua (Fernando Tordo, arr. Josh Daniels) | Slow | Tenor, flügel |
| Charnock Richard (Alan Hare) | Bright swing | Tenor, trombone, bari, tpt |
| Cheese'n'Carrots (Chris Smith) | Bright swing | Alto, trumpet, guitar |
| Chef's Rash Has Cleared Up Nicely, the (Paul Higgs) | Slow ballad | Piano |
| Clear Blue Water (Mark Armstrong) | Slowish | Flügel |
| Clearway (John Dankworth) | Bright 3/2 | Features alto |
| Cobwebs (Alan Branscombe, arr. Craig, Hart) | Bright swing | Piano feature |
| Cockpit (Dick Walter) | Slow rock | Tenor |
| Composite Motion (Mark Armstrong) | Bright | Flügel, soprano |
| Concrete Cows (Chris Smith) | Bright Latin | Alto, trumpet |
| Cookin' With Gas (Chris Smith) | Medium blues | Guitar, tenor, trumpet |
| Cop This (Trevor Vincent) | Medium rock | Trumpet, tenor |
| Cottoning On (Matt Wates) | Jazz waltz | Tenor |
| Cupid's Dream (Keith Mansfield) | Medium | Trombone ftr, tpt, tbn solos |
| Curtain Up (John Dankworth) | Fast blues | Solos all round |
| Dallab (Kenny Wheeler) | Slow ballad | Flügel, trombone & piano |
| Dear John (Dick Walter) | Slow ballad | Trombone feature |
| Dearly Beloved (Jerome Kern, arr. Andy Vinter) | Bright | Alto feature |
| Debbie Jayne (Martyn A Cook) | Rock ballad | Flügel & tenor |
| Destiny (Mark Nightingale) | 3/4 ballad | Trombone |
| Dialectics (John Dankworth) | Slow rock | Soprano, tenor |
| Different Colours (Allan Ganley) | Slow | Alto, piano, guitar |
| Don't Drink on an Empty Head (Steve Titchener) (New arrangement of Bean Bop) | Bright | Tpt, alto, tnr, tbn, pno, drums |
| Don't Mention the Blues | Medium | Trombone, nice sax soli |
| Doxology (Alan Cohen) | Slow 3/4 | Solos all round |
| Dynamo (John Dankworth) | Bright swing | Alto, tnr, tbn, tpt, pno |
| Easy Living (Rainger, arr. Martin Williams) | Slow ballad | Trombone feature |
| 80 Not Out (Alec Gould) | Latin | 2 trombones |
| Eleven Plus (Mike Vickers) | Bright 11/4 | Can feature anyone |
| El Rey Pedro (José Bowen) (Salsalation) | Bright Latin | Tpt, piano (or gtr), tnr |
| El Sid (Steve Titchener) | Fast Latin | Soprano, flügel |
| Embraceable You (Gershwin, arr. Ken Wheeler) | Ballad | Trumpet (or alto/tnr/tbn) feature |
| Eyes Down (Dick Walter) | Fast | Features tenor & drums |
| Faro Way (Jon Halton) | Bright blues | Guitar, trumpet |
| Fascinating Rhythm (Gershwin, arr. Barry Forgie) | Bright | Trumpet |
| 50,000 Flies Can't Be Wrong (Steve Titchener) | Bright swing | Trumpet, alto |
| First Time I've Seen Dead People Smoke (Mark Bassey) | Slow ballad | Alto feature |
| Fleet (Mark Nightingale) (Smokey Eyes) | Bright swing | Trumpet, alto |
| Flight of the Heart (Bill Charleson) | Ballad | Clarinet |
| Flying Fox (Mike Nolan arr. Walter) | Fast | Two tenor roar-up |
| Foggy Day (Gershwin, arr. Josh Daniels) | Medium-up | Alto |
| Foggy Day, a (Gershwin, arr. Steve Titchener) | Medium-up | Trumpet, tenor |
| Foldback (Bill Charleson) | Fast blues | Tenor then anyone |
| Footsie (Ken Woodman) | Medium slow | Written alto solo |
| For Ken (Alan Hare) | Slow, then fast | Trombone feature |
| For Starters (Dick Walter) | Medium-up blues | Any soloist |
| 47 Frith Street (Dave Foster, arr. Steve Parry) | Bright Latin/swing | Flute, (pno or gtr), drums |
| Fourth Bridge (Alan Hare) | Medium | Trombone, baritone |
| Fox Fur (Alan Hare) | Med 'Basie' groove | 2 trombones |
| Full Score (Terry Cathrine) | Bossa | Tenor & piano |
| Gasanova (Paul Higgs) | Bright bossa | Flügel & drums |
| Gas Mark II (Bill Ashton, Mick Sheppard) | Medium | Trombone, bass |
| Gatecrasher (Brooke, Kingsland) | Heavy rock | All written |
| General Custer's Retreat (Paul Hart) | Bright | Violin (or clarinet/soprano) |
| Gentle Jim (Allan Ganley) | Medium | Trumpet, 2 tenors |
| Gerryatrics (Gerry Smith) | Fast blues | Any soloist |
| Gerryonimo the 4th (Ken Wheeler) | Bright | Soprano saxophone |
| Getting Down To It (Bill Ashton, arr. Ashton, Hare) | Medium blues | Trombone, trumpet, tenor |
| The Goblin (Harry South) | Medium swing | Alto, tenor, piano |
| Going Dutch (Chris Smith) | Fast | 2-tenor feature |
| Going for a Burton (Alan Hare) | Fast | Baritone feature |
| Going Through The Motions (G Smith) | Medium Blues | Mostly ensemble |
| Good to be Here (Philip Beaumont) | Bright rock | Alto, guitar |
| Greasy Spoon (John Cameron) | Medium rock | Alto, guitar |
| GROOVE RIDER | Gareth Lockrane | |
| Groovin' with Gas (Adrian Bullers) | Medium-up swing | Tenor |
| Guarachamos (Martin Williams) | Medium-up | Vocal, alto |
| Gynaecology (Alec Gould) | Bright swing | Alto, trombone, tenor |
| Half-Man (Barry Forgie) | Bright swing | Trumpet, alto, trombone |
| Half Steps (Paul Higgs) | Latin | Alto, tbn, pno, tpt, drums |
| Hallmark (Cliff Hall, arr. Mark Nightingale) | Bright Latin | Two trombones |
| Happy Katz (Paul Hart) | Bright shuffle | Tenor, violin |
| Have You Met Paul Jones? (Martin Williams) | Medium-up | Vocal, alto |
| Have You Seen Them Cakes? (Josh Daniels) | Medium rock | Trumpet, alto, drums |
| Headache (Martin Williams) | Bright | Alto, trumpet |
| Heads or Tails (Martin Williams) | Jazz waltz | Trombone, baritone |
| He's Just My Bill (Mark Nightingale) | Basie swing | Tbn section, trombone solo |
| High-Speed Gas (Ken Woodman) | Very fast | Tenor |
| Hipflask (Daryl Runswick) | Bright rock | Written/solo chords cued |
| Honey Dew Melon (John Dankworth) | Bright swing | Pno, tpt, tenor, tbn, alto |
| Hot Gospel (Bill Charleson) | Medium | Baritone, trombone |
| Hot & Sweaty (Martin Williams) | Medium funk | Solos for all 5 saxes |
| How Long Has This Been Going On? (Gershwin, arr. J Clark) | Medium | Trumpet, tenor |
| How Long Has This Been Going On? (arr. Pat Gazzard) | Medium/fast | Trombone |
| Idle Eyes (Henry Collins) | Medium Latin | Flüge, piano |
| I Feel Sure (Paul Hart) | Bright | Soprano, tenor |
| I Have Been Here Before (Alec Gould) | Ballad | Tenor |
| I'll Never Forget (Mark Nightingale, arr. Mark Bassey) | Slowish | Trombone |
| Imaginary Mirror (John Warren) | Bright | Tenor, trumpet |
| In a Daze (Matt O'Regan) | Medium | Trumpet solo |
| In Control (Steve Duro) | Slow blues | Tenor, tpt, tbn, piano |
| Indiana (McDonald:Hanley, arr. John Dankworth) | Bright | Alto |
| In the Hour Before Dawn (Mick Sheppard) | Slow rock ballad | Alto |
| I Remember the X-Men (Gareth Lockrane) | Medium | Flute, tenor |
| I Remember Tracy (Mark Nightingale, Mark Bassey) | Slow ballad | Alto |
| I Remember You (Shertzinger arr. José Bowen) | Bright | Alto, tbn, tpt, flt (or pno) |
| Istanbul Now (Duncan Lamont) | Bright | Can feature anyone |
| It Never Rains (Malcolm Macfarlane) | Slow rock | Guitar |
| I've Got a Crush On You (Gershwin, arr. Alec Gould) | Slow ballad | Baritone |
| Jack of Harts (Paul Hart) | Slow ballad | Flügel feature |
| Java Generation, the (Martin Williams) | Medium-up | Piano, tenor, trumpet |
| Jim's Weasel (Jamie Anderson) | Medium | Piano |
| John's Jape (David Lindup) | Bright | Piano, baritone |
| Just for George (Barry Forgie) | Bright swing | Drum feature |
| KEEP LEFT FOR THE GOSPEL HALL | Ken Gibson | |
| Keep Looking Young-Hang Around with Old People (Paul Hart) | Bright | Tenor, trumpet, alto |
| Kids from Red House, the (Bill Ashton) | Very fast | Tenor, flute |
| KINGS ARMS | Alan Wakeman | |
| Kiss the Bass Goodbye (Shertzinger arr. K Woodman) | Brightish | Bass feature, mostly written |
| Kosher Horses, the (Bill Ashton, arr. Martin Williams) | Bright swing | Alto, bari, tbn, tpt, tenor |
| Last Orders (Harry South) | Fast blues | Solos all round |
| Late Night Blues (Steve Parry) | Sleasy swing | Alto |
| LBG (Alan Hare) | Medium-up swing | Piano |
| Legless in Garstang (Philip Beaumont) | Br. pop feel | Flügel, written solo |
| Lifted (Rick Taylor) | Bright | Tenor, guitar |
| Lift Off (Alan Hare) | Medium | Tenor, baritone |
| Li'il Jeannie (Alec Gould) | Medium slow | Tenor, written solo |
| Lincoln Green (Paul Hart) | Fast blues | Piano, trumpet |
| Little People, the (Dick Walter) | Medium-up swing | Tenor, trumpet, sax solo |
| LITTLE RIGHT FOOT | Trad. Arr Evan Jolly | |
| Londonderry Air, the (arr. Dick Walter) | Medium slow | All written or could feature tbn. |
| Long, Hot Summer (Oliver Ledbury) | Slow ballad | Tenor |
| Looking Back (Derek Goom, arr. Nightingale) | Slow ballad | Trombone solo |
| Love Walked In (Gershwin, arr. Ken Wheeler) | Medium | Tenor |
| Luton Hoo (Chris Smith) | Bright blues | Pno, gtr, saxes |
| Magen's Bay (Chris Smith) | Slow | Guitar feature |
| Maltese Cross (Paul Higgs) | Bright swing | Soprano or tenor |
| Man I Love, the (Gershwin, arr. Alec Gould) | Fast | Sax section + 2 trombones |
| Marrakesh (Paul Higgs) | Latin | Soprano |
| Marianne (Martin Bunce) | Slow rock | Flugelhorn feature |
| Marston Pedigree (Adrian Bullers) | Medium-up swing | 2 Tenors |
| Mickay (Ken Wheeler) | Slowish | Flügel feature |
| Midnight Newsroom (Paul Higgs) | Medium Latin | 2 flugels |
| Midnight Oil (Trevor Vincent) | Very slow | Trumpet, written solo |
| Miles Away (Mick Sheppard) | Jazz waltz | Flügel |
| Minstrel's Lay (Paul Hart) | 7/8 bossa | Violin |
| Miss Pankhurst Protests (Alan Hare) | Medium | Trombone, written solo |
| MISTRAL | Steve Titchener | |
| Montechoro (Ken Woodman) | Bright | Guitar, tenor, tpt, bari, tbn |
| Montes de Alvor (Out of Town) (Anthony Adams) | Half-feel rock | Trumpet, alto |
| Moon Mood (John Dankworth) | Slow | Guitar |
| MORE MUMBLES | Callum Au | |
| Morocco Bound (John Dankworth, arr. Ken Wheeler) | Medium bossa | Trombone feasture |
| Moten Swing (Moten / Skinner) | Medium swing | Baritone |
| Motoring (Brian Priestley) | Bright rock | Tenor or any soloist |
| Mr BG (Mark Nightingale) | Bright 40s style | Clarinet |
| MR BASIE | ||
| La Muchacha de Colombia (Martin Williams) | Bright Latin | Trumpet, tenor |
| My Old Man (Bill Charleson) | Very fast | Tenor, good sax soli |
| Naomi (Ray Chester) | Slow rock | Baritone, written solo |
| Neale's Yard (Martin Wiliams) | Medium-up | Flute |
| Nesticosis (Kenny Woodman) | Medium | |
| NEW WORLD VARIATIONS | Alec Gould | |
| Never the Twain (Matt Wates) | Bright | 2 Altos |
| New Forest (David Lindup) | Medium | Alto |
| New Tyme Waltz (Harry South) | Jazz waltz | Alto, piano |
| Nice Work If You Can Get It (Gershwin, arr. Josh Daniels) | Very fast | Tenor |
| Night is a Pup, the (Stan Barker, arr. Alan Hare) | Medium | 2 Trumpet feature |
| Night Slide (Paul Higgs) | Bright Latin | Guitar, alto, trumpet, drums |
| Nobody Comes To My House (Dave Hancock) | Jazz rock | Solos all round |
| No Hair - Just a Red Head (Geoff Castle) | Bright 7/4 | Guitar, alto |
| Nookering the Umtargartie (Ken Gibson) | 7/4 rock | Alto, piano |
| Norwich Union (Brad/Elliot Mason) | Bright swing | Trumpet, trombone |
| Nothing Like a Thane (Alan Hare) | Slow ballad, then fast | Alto feature |
| Not Really (Adrian Bullers) | Medium-up | Tenor |
| Now I Hear You (Ray Davies) | Slow 12/8 | Flügel |
| NYJO (Ed Harvey) | Bright Rock | Solos for anyone |
| Off Duty (John Dankworth) | Slow rock | Written, can insert solos |
| Off Shore Peers (Dave Peers) | Jazz waltz/Latin | Flügel, tenor |
| Okay With Jay (Jay Craig) | Medium blues | Baritone |
| One Early Morning (Alec Gould) | Medium Basie groove | Tenor |
| One for Oscar (Andy Vinter) | Bright swing | Piano |
| ONE TREE HILL | Steve Titchener | |
| Opening Time (Dick Walter) | Bright swing | Dr. ftr, All written |
| Our Love is Here To Stay (Martin P Williams) | Medium-up | Clarinet or trumpet |
| Out of Sight, Out of Mind (Gerry Smith) | Slow ballad | Trumpet |
| Overdue Due Blues (Jon Halton) | Shuffle blues | Alto, tbn |
| Overture & Out (Dick Walter) | Medium blues | All written |
| Paich Melba (Stephen Duro) | Bright West Coast | Trumpet, alto, piano |
| Parkinson's Law (Jeff Scott) | Fast blues | Tenor feature |
| Paying My Tax (Alan Cohen) | Bright 1920s | 2 tpts, tbn, tuba, 4 sax, rhythm |
| Pedro's Walk (Ian Hamer) | Bright jazz waltz | Tenor, drums |
| Penelope (Ron Waterworth) | Slow Latin | Trombone feature |
| PENNY | Evan Jolly | |
| Perfumed Garden, the (Ken Gibson) | Slow Latin | Flügel |
| Poojyn (Steve Gray) | Medium blues | Piano feature |
| POP GOES THE WEASEL | Trad Arr Evan Jolly | |
| Portimao (Athony Adams) | Bright Latin | Piano, trombone |
| Portrait of an Abstract (John Dankworth, arr. Tony Russell) | Slow Latin | Flügel & trombone |
| Praia do Vau (Anthony Adams) (3 Days Running) | Fast | Trumpet, drums |
| Raising the Standard (Oliver Ledbury) | Bright | Clarinet or flute |
| QUESTION TIME | John Patrick | |
| Quick Sticks (Trevor Vincent) | Bright blues | Trumpet, tenor, drums |
| Quinto do Lago (Mark Nightingale) | Bright Latin | Four trombones |
| REAL ALE REEL | Paul Hart | |
| Reepicheep (Dick Walter) | Medium-up blues | Solos all round |
| Reprieve (Dick Walter) | Slow Latin | Flügel & trombone |
| Return Trip (Harry South) | Bright rock | Several short solos |
| Revenge is Sweet (Steve Parry) | Bright | 3 Trombones |
| Revenge of the Amoebae (David O'Higgins) | Reggae | Keyboard & soprano |
| Riffin' the Griffin (Josh Daniels) | Medium rock | Tenor, trumpet |
| Robbers of Vissenberg (Chris Smith) | Bright | Alto, trombone, trumpet, piano |
| Rodeo (Paul Hart) | Bright | All written (needs 2 sopranos) |
| Rosie A (Anthony Adams) | Slow ballad | Guitar |
| Round Robin (Robin Smith) | Bright | Solos for piano & guitar |
| Roxy Beaujolais (Mark Nightingale) | Slow ballad | Flugelhorn |
| SALMAGUNDI | Dave Arch | |
| Salt & Pepper (Eddie Swan) | Medium | V. easy, all written |
| SALUTE TO THE SUN | Mark Armstrong | |
| Samba Deeze Samba Doze (Rex Cadwallader) | Bright samba | Tenor |
| Samba for Cheryl (Adrian Bullers) | Medium samba | Piano, alto, trumpet, drums |
| Samuel Smith's Amazing Dancing Beer (John Cameron) | Medium bright rock | Trombone |
| Sandy Cove (Paul Higgs) | Medium bossa | Flügel, guitar, sax solo |
| Scott's Stomp (Adrian Bullers) | Medium-up boogie | Baritone (or tenor) |
| Sea Beaver (Rick Taylor) | Bright | Alto, piano |
| Seagulls Over Scunthorpe (Jan Van Giel) | Bossa | Flügel, soprano |
| Sea Island Samba (Andy Vinter) | Bright samba | Trumpet, flute, tenor |
| Seaside Scramble (Bill Charleson) | Bright swing | |
| Seaside Stroll (Alan Hare) | Medium slow | Piano |
| SIR JOHNNY COMES SWINGING HOME | Trad Arr Evan Jolly | |
| Sixth Sense (Chris Smith) | Ballad | Trumpet |
| Six to One Bar (Harry South) | Br. jazz waltz | Alto, tenor, piano |
| Snakes & Ladders (Oliver Ledbury) | Bright | Alto, guitar (or piano) |
| Sneaky Pete (Alan Hare) | Medium | Features piano |
| S.O. Blues (David Lindup) | Medium slow | Mostly ensemble; tr. of Dankworth's alto solo |
| Somebody Loves Me (David Lindup) | Bright swing | Trumpet, alto |
| Someone To Watch Over me (Gershwin, arr. Stephen Duro) | Ballad | Trombone |
| Song of India (John Dankworth) | Bright Rock | All written |
| Soon (Gershwin, arr. Bill Charleson) | Medium | Flügel |
| Sorta Ballad (Alan Downey) | Sort of ballad | All written, short trumpet solo |
| Sound of 17 (Harry South) | Medium | Easy, pno, tnr, tpt, tbn |
| Southern Horizons (Harry South) | Bright | Alto, tpt, pno, drums |
| Spreading the Word (Martin Williams) | Gospel shuffle | 2 Trumpets |
| Starburst (John Dankworth) | Bright | Alto |
| Step on the Gas (Jay Craig) as feat. by NYJO | ||
| Stepping Stones (Martin Williams) | Bright | Tenor, trumpet |
| Stick Around (Alec Gould) | Bright | Fast drum feature |
| Still Doing the Trick with the Horse Madam? (Chris Smith) | Bright | Flügel, tenor, drums |
| Stretchin' Out (Steve Duro) | Medium swing | Trumpet, tenor |
| Suite Sophie (Gareth Lockrane) | Ballad | |
| Suits Me (Paul Higgs) | Slow rock ballad | Alto feature |
| Summer Song (Colin Higginson) | Medium bossa | Guitar, 2 flugels |
| Sun Crest (Paul Higgs) | Slow Latin | Guitar feature |
| Swedie Pie (Jim Bethea) | Medium swing | V. easy, trumpet, piano |
| Sweet London Bridge (Stephen R Parry) | Bright | Tenor, piano |
| Sweet Yakkity Waltz (Ken Wheeler) | Medium jazz waltz | Flügel, tenor, guitar |
| Swivel Hips (Jim Bethea) | Medium blues | V. easy; tbn, alto, pno |
| S'Wonderfuel (Mark Nightingale) | Fast | Two tenors (or 2 altos) - state preference |
| Syrup of Phiggs (Paul Higgs) | Syrupy tenor ballad | |
| Take the C & A Trane (Chris Smith) | Bright swing | Good ensemble piece, excellent sax soli, trumpet & alto solos |
| Tara's Tuesday (Alan Hare) | Slow ballad | Trombone feature |
| Tears in Rain (Mark Armstrong) | Ballad | Tenor feature |
| Tenor Each Way (Alan Hare) | Bright | 2 tenors (or 4) - state preference |
| Tenors Racket (Martin Williams) | Bright | 2 tenors |
| That Old Peculiar Feeling (Alec Gould) | Bright swing | Alto, trumpet |
| They Can't Take That Away From Me (Gershwin arr. John Dankworth) | Slow | Piano, sax soli |
| Three for Tay (Rick Taylor) | Slow / fast Latin | 2 trumpets & trombones |
| Tina's Theme (Eddie Swann) | Bossa | All written |
| Tinker's Tune (Allan Ganley) | Medium | Piano, tenor |
| Tomorrow's Face (Bill Charleson) | Bright shuffle | Tenor, trumpet |
| Top Score (David Lindup, John Dankworth) | Bright swing | Alto, 2 tenors, trumpet |
| To Russia With Jazz (Bob Cranham) | Exc. show stopper | Alto, trombone, trumpet |
| To Set Before a Queen (Tony Faulkner) | Slow ballad | Tenor feature |
| Touch of Canda, a (Chris Smith) | Slow ballad | Flute feature |
| Tracey's Trip (Tony Russell) | Medium swing | Easy; excellent ex. in dynamics |
| Unison in All Things (Andy Panayi) | Medium-up | Any soloist and piano |
| U-Turn (Steve Titchener) | Bright swing | Piano, trumpet, tenor |
| Victoria Blue (Alec Gould) | Nice ensemble piece | Solos for alto, trumpet, tenor, trombone, piano, drums |
| View from the Hill, a (Andy Vinter) | Bright Latin | Piano |
| Villamoura (Steve Gray) | Ballad | Tenor |
| Wade in the Water (Dick Walter) | Bright rock | Pno feature. All written. Could easily be opened up |
| Waiting for Morgan (Paul Hart) | Medium-up | Bass feature |
| Walkabout (Alec Gould) | Medium swing | Flügel feature; written solo |
| Walkin' with the Blues (Jim Bethea) | Medium | Bass, tenor, trumpet, piano |
| Waltz for Duke (Alan Hare) | Medium jazz | Features alto & trumpet, Nice ensemble piece |
| Watching the Traffic Lights Change (Adrian Bullers) | Bright shuffle | Tenor, trumpet |
| Water Babies, the (Paul Higgs) | Slow rock | Trombone & flügel |
| We Care For You (Dick Walter) | Slow ballad | Alto |
| While the Cat's Away (Mike Sheppard) | Medium | Flügel |
| WHILE YOU’RE DOWN THERE | Slow Rock | Rick Taylor, features soprano |
| Who Cares (Gershwin, arr. Steve Gray) | Medium | Trumpet, trombone |
| Whole Thing, the (Brian Priestley) | Slow ballad | Flügel, alto |
| Who Wray (Alan Hare) | Bright | Trombone feature |
| Willow Green Willow (Ronnie Ross, arr. Mark Bassey) | Slow ballad | Baritone |
| Will Ye No Come Back Again (arr. Steve Gray) | Slow ballad | Alto, written solo |
| Winter Wail (John Dankworth) | Medium swing | V. easy. All written. |
| Winter Wonderland (Barnard:Smith, arr. Matt O'Regan) | Medium | Piano (or vocal) |
| With An Open Mind (Terry Cathrine) | Slow ballad | Cld feat. solo tnr, flgl, bari, alto |
| With One Voice (Steve Titchener) (formerly One Tree Hill) | Slow ballad | Tenor or flügel feature |
| With You In Mind (Ken Gibson, Jeff Howlett) | Sl. Basie-style swing | Tenor, piano; written solos |
| Woody (Harry South) | Bright | 4 Brothers sound |
| Wow! (Brian Harrison) | Rock | Tenor |
| Yessica (Chris Smith) | Medium swing | Flügel & trumpet |
| YHB (Gerry Smith) | Bright swinger, 'rhythm'seq. | Features tnr, tbn. Int. sax solo |
| Young's Makes Me Feel You So (Alec Gould) (Tribute to Nelson Riddle & Young's Brewery) | Medium swing | Features 2 flugels |
| Accident Prone (Bill Ashton, arr. Chris Smith) | Medium |
| Another Always (Tony Charlesworth, Bill Ashton, arr. Chris Smith) | Medium swing |
| As Long As There Are Summers (Bruce Baxter, John Gummer, arr. Paul Hart) | Bright Latin in F or Eb |
| Be Gentle (Alec Gould, Chris Denmead) | Slow rock |
| Big Girl Now (John Clark, Chris Denmead) | Bossa/slow |
| Blue Afternoons (Rupert Wates) | Waltz Ballad, Trumpet, vocal |
| Blues to You Too (Jacqui Hicks, Steve Hill) | Medium, guitar |
| But Me No Buts (David Lindup, Bill Ashton) | Medium swing |
| Castles in Spain (Paul Higgs, Derek Pascoe) | Bright Latin |
| Deflated Bounce (Brian Cooper, Maggie Nichols, Bill Ashton, arr. Chris Smith) | Jazz waltz |
| Don't Go to Him/Her (Bill Ashton, arr. Chris Smith) | Very fast |
| Don't Try & Argue with Me (Bill Ashton, Alec Gould) (Scored for guitar, bass, drums & 5 trombones, with full score) | Slow ballad |
| Early Morning Train (Long and Steel) | Slow rock, Tenor |
| East of the Sun (Bowman, arr. John Clark) | Medium-up, M or F vocal, tenor |
| Fly to Me (Chris Denmead, Gerry Collins, arr. Chris Smith) | Bossa |
| Funny That Way (Moret: Whiting arr. M O'Regan) | Medium shuffle, Trumpet |
| Gas Bag Blues (Ashton, Langton, Hare) | Medium-up shuffle (M or F) |
| Girl Can't Grumble, a (Peter Atkins, Clive James, arr. Bob Leaper) | Bright jazz waltz |
| Give Up (Bill Ashton) | Bright, Alto solo |
| Go Way From Here (Jack Long) | Br. shuffle, male vocal |
| Haven't We Love? (Rudge: Sammes arr. M Williams) | Slow rock, Alto |
| Heat of the Moment, the (Bill Ashton, Dick Walter) | Very fast |
| Here & Now (Bill Ashton, arr. Gareth Lockrane) | Medium-up, Tenor |
| Holiday Affair (Ashton, Denmead, Gould) | Slow bossa, flute |
| How Can You Believe in Love? (Tim Colwell) | Slow, Trumpet solo |
| If You Should Change Your Mind (Bill Ashton, arr. Martin Williams) | Bright, Alto (or scat vocal) solo |
| I Have Been Here Before (Alec Gould, Chris Denmead, Bill Ashton) | Ballad |
| I'll Wait Here (Alec Gould, Howard Kennett) | Slow rock |
| Insignificant Song (John Clark, Chris Denmead) | Medium swing |
| It Feels Like I'm Falling in Love (Jacqui Hicks arr J Daniels) | Medium jazz waltz, Trumpet |
| I Thought I Was Through With Love (Mike Yorke, Bill Ashton, arr. Paul Higgs) | Reggae/swing |
| It's My Chance To Get Even (Dick Walter, Chris Denmead, arr. Chris Smith) | Medium |
| It's Up To You (Dick Walter, Chris Denmead, arr. Chris Smith) | Bright, trumpet solo |
| I Was Hoping (Bill Ashton, arr. John Clark) | Bright, 2 tpts, 3 tbns, 5 saxes |
| I Wasn't Looking for Love (Ashton: Denmead arr. J Clark) | Medium-up, Tenor |
| I Wasn't Looking for a Love Affair (Long, Ashton, Crawford, arr. Jack Long) | Medium bossa nova |
| I Wish You Were Here (Gibbs, Beales, arr. G Lockrane) | Medium-slow, Piano |
| Just a Breath Away (Jacqui Hicks, arr. Steve Hill) | Slow rock |
| Keep It Simple (Ashton: Parry arr. Parry) | Medium-up. Trumpet |
| Lady Can Tell, a (Dick Walter, Chris Denmead) | Medium, 2 tpts, 3 tbns, 5 saxes + rhythm |
| Leaving Here (Peter Sykes, arr. Rick Taylor) | Bright Latin 3/4 |
| Let the Loving Begin (Mike Sammes, Myles Rudge, arr. Mark Bassey) | Jazz waltz |
| London (Bill Ashton, arr. Chris Smith) | Medium, Male vocal |
| Looking Back (Derek Goom, Bill Ashton, arr. Nightingale) | Slow ballad (incl. big band soli) |
| Looking Forward (Bill Ashton, arr. Mark Bassey) | Bright Latin |
| Memory of You, the (Kenny Clayton arr. Williams) | Medium Bossa, Tnr or tpt |
| Much Too Much (Bill Ashton, arr. Chris Smith) | Medium |
| New in London (Bill Ashton, arr. Mark Nightingale) | Slow blues |
| Nobody Knows You (Bill Ashton / J Cox, arr. G Lockrane) | Slow 12/8, trombone |
| Nobody's Perfect (Bill Ashton, arr. Phil Steel) | Medium, tbn |
| No Flowers by Request (Bill Ashton, arr. Chris Smith) (Can be played with just tenor & rhythm, or full band) | Very slow ballad |
| Nothing's For Ever (Lamont, Denmead arr. Phil Steel) | Slow jazz waltz, Baritone |
| No Way (Dick Walter, Chris Denmead, arr. Steve Hill) | Latin, Medium |
| Rose Room (Mark Armstrong/Bill Ashton/Art Hickman) | Medium-up, trombone |
| Shades of Blue & Green (Paul Higgs, Derek Pascoe) | Medium slow rock |
| Shadow of Doubt (John Dixon, Bill Ashton) | Bright swing |
| Someone (Bill Ashton, arr. Mark Nightingale) | Medium |
| Song to Sing By, a (Alec Gould, Lyrics Howard Kennett, arr. Mark Bassey) | Medium swing |
| Stop Kidding Yourself (Bill Ashton) | Bright, 5 trombones, piano |
| That's That (Tony Faulkner, Bill Ashton, arr. Mark Bassey) | Medium |
| Things Are Gonna Be Diff'rent Now (Walter, Long, Kitchen arr. Steve Hill) | Medium swing, tnr, tbn |
| Time & Again & Again (Tim Colwell, arr. Steve Hill) | Bright swing |
| Times Were (Ashton: Denmead arr. Armstrong) | Bright Latin, Flügel |
| Too Late (Alec Gould, Christine Denmead) | Slow ballad |
| Too Much Too Soon (Tim Colwell, arr. Chris Smith) | Bright Latin |
| Wait & See (Bill Ashton, Dennis Ogden) | |
| 1. arr. Alec Gould | Bright Latin, optional parts for 5 pt harmony vocal group |
| 2. arr. Paul Higgs | Medium bossa |
| Way With Words, a (Steve Gray, Bill Ashton) | Slow, flügel solo |
| We're Part of Autumn (Duncan Lamont, Tim Colwell) | Slow, Flügel |
| When I'm With You (Bill Ashton, arr. Alec Gould) | Medium, tbn |
| Where Is the Music? (Jack Long, Keith Kitchen, arr. Chris Smith) | Slow rock ballad, alto |
| Who Stepped on my Dream? (Tim Colwell) | Swing, trumpet or alto |
| Who's Blue? (Bill Ashton, Chris Denmead, arr. Martin Williams) | Very fast, Alto, tpt |
| Why Don't They Write Songs Like This Any More? (Bill Ashton, Pete Atkin, arr. C. Smith) | Medium swing |
| Why Do You Cry? (Anita Wardell arr. M O'Regan) | Very slow, Flügel |
| With You In Mind (Ken Gibson, Jeff Howlett, arr. Paul Higgs) | Slow |
| You'd Think I'd Learn (Bill Ashton, Chris Denmead) | Medium-up, Alto |
| You Stepped On My Dream (Bill Ashton, Tim Colwell, arr. John Clark) | Bright, reduced big band |
| You Were Marvellous Darling (Bill Ashton, arr. John Clark) | Slow ballad, tenor solo |
| Zing Went the Strings of my Heart (Hanley/Ashton arr. Brian Pendlton) | Bright |