All arrangements cost £25. Big Band Series A charts are, on the whole, less demanding than Series B and offer an ideal starting point for bands to build up a varied repertoire.
| Amazing Grace (arr. Adrian Drover) | Jazz Waltz | Alto or baritone |
| Amethyst (David Lindup) | Slow | Flügel and piano, written solo |
| Ballad for Trumpet (Keith Mansfield) | Slow | All written, very easy |
| Cruisin' (Bob Cranham) | Rock | Alto, trombone |
| Cucina (John Williams) | Bossa | Flügel, alto |
| Doghouse (Brian Harrison) | Blues March tempo | Tenor, alto |
| Drink Tolly Only (Bob Leaper) | Slow Ballad | Alto feature |
| Early Morning Train (Jack Long) | Slow Rock Ballad | Alto (could be vocal) |
| Feeling Good (Dick Walter) | Medium Swing | Piano solo |
| Just a Little More (Dick Walter) | Medium Swing | All written |
| Little Brown Jug (John Dankworth) | Bright Rock | Tenor solo |
| Macho Mexicano (Graham Lyons) | Slow Rock | All written |
| Moon Flight (Graham Lyons) | Slow Latin | Flügel |
| Negev (Sam Fendrich) | Slow | Flügel, alto |
| Now I Hear You (Ray Davies) | Slow 12/8 | Flügel, organ |
| Passion Eyes (Jim Bethea) | Slow Ballad | Alto, all written |
| Seaside (Bill McGuffie) | Slow | Miller voiced/all written |
| Song for An Autumn Day (Alec Gould) | Slow Ballad | Sax section feature, all written |
| Spaghetti Junction (Art Lester) | Medium Blues | Tenor, trumpet |
| Taliesin (Osian Roberts) | ||
| Threshing Machine (Ken Gibson) | Very Slow Blues | Alto feature |
| Too Late (Alec Gould) | Slow Ballad | Features trombone section |
| With You in Mind (Ken Gibson) | Slow Swing | Written solo, piano, tenor |
| And Upon This Rock (Mike Gibbs) | Slow Rock | Soprano |
| Atropus (Mike Page) | Bossa | Tenor |
| Back Home (David Lindup) | Medium | Tenor, trumpet |
| Black Velvet (Alec Gould) | Slow | Trombone feature, transcribed |
| Blues for Tony (Dave Perrottet) | Slow Rock | Trumpet, tenor |
| Cookie (Alan Seymour) | Slow then Fast | Solos for all optional |
| Crazy Life (Brian Cooper) | Slow Blues | Trombone feature |
| Cuban Thing (Glyn Thomas arr. C Smith) | Medium Latin | Tenor, guitar, drums |
| Dollying at John's (Keith Mansfield) | Slow Jazz Waltz | Tenor, trombone |
| El Blokko (David Gold) | Jazz Waltz/Fast | Trombone, trumpet, tenor |
| Eleven Years After (Alan Downey) | Bright Rock | Organ/piano |
| Evenutally Yours (Ken Wheeler) | Sl. Bossa/Fast Rock | Trombone, all written |
| Groover, the (Alan Berry) | Medium | Tenor, trumpet |
| Holland Walk (John C Williams) | Slow and Fast | Flügel, tenor, piano |
| Last Will & Testament (Long, Burch) | Fastish | Dual parts, vocal or instrumental |
| Legs Eleven (John Cameron) | Bright 11/8 | Tenor, alto |
| Midsummer Dawn (Dave Lindup) | Slow | Mostly written |
| No Room at the Innes (Don Innes) | Fatish | Tenor, trombone, flügel |
| Shades of Blue (Neil Ardley) | Slow | Flügel, Ian Carr's solo |
| Yesterday's Blues Today (Alan Hare) | Slow blues | Trumpet |