All Small Band arrangements are £10 unless otherwise stated. These arrangements are scored for FIVE FRONT LINE, playable by: OCTET (trumpet, trombone, three saxes and rhythm) or FIVE SAXES AND RHYTHM
NB: Normally speaking, unless the title specifies saxes only, or octet only, they can be played by either formation. However, some of the earlier arrangements may not have had the trumpet part transposed for alto, and the trombone part transposed for tenor, so it may be necessary for you to do this yourself. Occasionally the trumpet part may go too high for alto, in which case it should be played by soprano.
| Aardvark (Paul Higgs) | Bright Latin |
| Afterburner (Alan Hare) | Bright swing |
| Almost There (Anthony Adams) | Slow rock (guitar feature) |
| Blood Orange (Bill Ashton) | Bright swing |
| Bop Swap (Mike Yorke) | Reggae, then swing |
| Breakfast Suggestion (Alan Cohen) | Bright swing |
| Concrete Cows (Chris Smith) | Bright Latin |
| Current Account (Norman Moy) | |
| DBN (Norman Moy) | Fast bossa |
| DBP (Dr Benway's Prescription) (Jamie Anderson) | |
| Duty Freeze (Terry Cathrine) | Fast |
| Ellisian Fields (Derek Goom) | Medium bright |
| Five in Five (Alec Gould) (Octet only) | Bright 5/4 |
| Five to Seven (Alec Gould) | Bright |
| Going Dutch (Chris Smith) | Fast |
| Holland Walk (John C Williams) | Slow ballad |
| LBG (Alan Hare) | Bright piano feature |
| Lift Off (Alan Hare) | Medium-up |
| Looking Back (Derek Goom) | Ballad |
| Marianne (Martin Bunce) | Slow rock |
| Marrakesh (Paul Higgs) | Bright Latin |
| Midkirk Style (Ken Deuchar) | Bright swing |
| Midnight Newsroom (Paul Higgs) | Bright Latin |
| Midnight Oil (Trevor Vincent) | Slow |
| No Pigeons for Carmine (Chris Smith) | Swing and 3/4 |
| Okay With Jay (Jay Craig) | Medium blues (baritone feature) |
| Only Forever To Go (Trevor Vincent) | Slow groove |
| Opening Time (Dick Walter) (Saxes only) | Bright |
| Outlaws (Paul Hart) (Octet only) | Slow ballad |
| Over & Over Again (Dick Walter, script Bill Ashton) (Saxes only) Sax demonstration * £14 * | |
| Picture of Dorian Blue, a (Trevor Vincent) | |
| Rawbar (Chris Smith) | Funky |
| Royal Flush (Harry South) | Slow ballad |
| Sad Old Sunday (Chris R Wood) | Slow ballad |
| Sandy Cove (Paul Higgs) | Bossa |
| Stairway (Dave Perrottet) | Boogie feel |
| Syrup of Phiggs (Paul Higgs) | Slow ballad |
| Take the C & A Trane (Chris Smith) | Medium-up |
| Telling 'em (Bill Charleson) (Saxes only) | Medium-up |
| Things Ain't What They Seem (John Dankworth) | Medium blues |
| This Summer (Norman Moy) | Easy bossa |
| Tiger Tim (Bill Charleson) (Saxes only) | Slow blues |
| Travelling (Alan Wakeman) (Saxes only) | Fast |
| Ulterior Motive (Alan Hare) | Jazz waltz |
| Way You Ain't, the (John Clark) (playable by five sax & rhythm, five trumpets & rhythm, five trombones & rhythm, or any combination of the above) * £10 * | Medium-up |
| You Again (Chris Smith) | Fast be-bop |
Small Band Vocal Arrangements
| Deflated Bounce, the (Brian Cooper, Maggie Nichols, Bill Ashton, arr. Chris Smith) | Jazz waltz |
| Don't Go to Him/Her (Bill Ashton, arr. Chris Smith) | Very fast |
| Don't Try & Argue with Me (Bill Ashton, Alec Gould) | |
| Fly to Me (Chris Denmead, Gerry Collins, arr. Chris Smith) | Bossa |
| Get It Right (Jack Long, Keith Kitchen) | Bright rock |
| Girl Can't Grumble, a (Peter Atkins, Clive James, arr. Bob Leaper) | Bright jazz waltz |
| Go Way From Here (Jack Long) | Br. shuffle, male vocal |
| I Have Been Here Before (Alec Gould, Chris Denmead, Bill Ashton) | Ballad |
| I'll Wait Here (Alec Gould, Howard Kennett) | Slow rock |
| Insignificant Song (John Clark, Chris Denmead) | Medium swing |
| It's Over (Ashton, arr. Mark Nightingale) | Slow, bass solo |
| I Was Hoping (Bill Ashton, arr. John Clark) | Bright |
| I Wasn't Looking for a Love Affair (Long, Ashton, Crawford, arr. Jack Long) | Medium bossa nova |
| I Wasn't Looking for Love (Ashton, Denmead, arr. John Clark) | Bright |
| Lady Can Tell, a (Dick Walter, Chris Denmead) | Medium |
| Looking Forward (Bill Ashton, arr. Mark Bassey) | Bright Latin |
| Much Too Much (Bill Ashton, arr. Chris Smith) | Medium |
| No Flowers by Request (Bill Ashton, arr. Chris Smith) (Just tenor & rhythm) | Very slow ballad |
| Rich Man (Rick Taylor, Kim Lesley) | Jazz waltz |
| Shades of Blue & Green (Paul Higgs, Derek Pascoe) | Medium slow rock |
| Too Much Too Soon (Tim Colwell, arr. Chris Smith) | Bright Latin |
| Wait & See (Bill Ashton, Dennis Ogden, arr. Paul Higgs) | Medium bossa |
| Where Is the Music? (Jack Long, Keith Kitchen, arr. Chris Smith) | Slow rock ballad |
| Who Stepped on my Dream? (Ashton, Colwell, arr. John Clark) | Bright |
| You Were Marvellous Darling (Bill Ashton, arr. John Clark) | Slow ballad - Octet |
All SaxSection arrangements are £10 unless otherwise stated.
These titles are scored for five saxophones and rhythm. Some titles may have soprano lead. The titles asterisked contain saxophone solis. Those not asterisked normally will have alternative parts for trumpet and trombone. Since too many saxophone solis can tire the ear, repertoire is best consisting of a mixture of both types of writing.
| Aardvark (Paul Higgs) | Bright Latin |
| Adjourn 1 (Terry Cathrine) | Bright Swing |
| Afterburner (Alan Hare) | Bright Swing |
| Almost There (Anthony Adams) | Slow Rock (guitar feature) |
| Along Came Benny (Steve Duro) | Medium bright |
| *Are We Keeping You Up Sir? (Dick Walter) * £12 * | Medium blues (great unaccompanied soli) |
| *Bird (Harry South) | Medium blues (soli based on collage of Parker phrases) |
| *Bishop's Move (Paul Hart) | Bright swing (incorporates original big band soli) |
| Blood Orange (Bill Ashton) | Bright |
| Bop Swap (Mike Yorke) | Reggae, then swing |
| Born of the Sands (Mick Sheppard) | Slow rock |
| *Change-yer-Reed (Chris Smith) | Bright swing |
| Close to the Sun (Norman Moy) | Slow ballad |
| Concrete Cows (Chris Smith) | Latin rock |
| Cuban Thing (Glyn Thomas) | Medium Latin |
| Daisy Chain (John Dankworth) | Medium swing |
| DBN (Norman Moy) | Fast bossa |
| Distant Vision (Terry Cathrine) | Slow ballad |
| Duty Freeze (Terry Cathrine) | Fast |
| *50,000 Flies Can't Be Wrong (Steve Titchener) | Bright swing |
| *Final Furlong (Bill Charleson) * £16 * | Bright swing |
| For All the Heroes (Rick Taylor) | Up tempo |
| God Rest Ye Merry Gentlemen (arr. Don Ashton) | Carol (3 speeds) |
| Going Dutch (Chris Smith) | Fast |
| Holland Walk (John C Williams) | Slow ballad |
| In the Pan (Mike Yorke) | Laid back funk |
| It's Over (Bill Ashton, arr. Trevor Vincent) | Slow ballad |
| Lift Off (Alan Hare) | Medium-up |
| *Little People, the (Dick Walter) | Bright swing (incorporates original big band soli) |
| Long, Hot Summer (Oliver Ledbury) | Slow ballad (tenor feature - transcription of Scott Garland's recorded solo) |
| Looking Back (Derek Goom) | Ballad |
| Luton Hoo (Chris Smith) | Medium-up blues |
| Magen's Bay (Chris Smith) | Slow (no rhythm) |
| Marianne (Martin Bunce) | Slow rock |
| Marrakesh (Paul Higgs) | Bright Latin |
| Midkirk Style (Ken Deuchar) | Bright swing |
| Midnight Newsroom (Paul Higgs) | Medium Latin |
| Midnight Oil (Trevor Vincent) | Slow |
| No Pigeons for Carmine (Chris Smith) | Swing and 3/4 |
| Only Forever To Go (Trevor Vincent) | Jazz waltz |
| Opener (Bill Charleson) | Short bright play-on |
| *Opening Time (Dick Walter) | Bright |
| *Over & Over Again (Dick Walter, script Bill Ashton) * £14 * | Sax demonstration |
| Picture of Dorian Blue, a (Trevor Vincent) | Bright |
| Rawbar (Chris Smith) | Funky |
| Red Flag (O Christmas Tree) arr. Gwilym Simcock | Bright |
| Royal Flush (Harry South) | Slow ballad |
| Sandy Cove (Paul Higgs) | Bossa |
| Saxology (Dick Walter) | Bright |
| Schedule D (Rick Taylor) | Fast |
| Slipway (Norman Moy) | Up Tempo |
| Somalia (Steve Duro) | Bright |
| *Song for An Autumn Day (Alec Gould) | Slow, all written |
| Syrup of Phiggs (Paul Higgs) | Slow ballad |
| Take the C & A Trane (Chris Smith) | Medium-up |
| *Telling 'em (Bill Charleson) | Medium-up |
| They Can't Take That Away From Me (Gershwin arr. John Dankworth) | Slow |
| Things Ain't What They Seem (John Dankworth) | Medium blues |
| This Summer (Norman Moy) | Easy bossa |
| *Tiger Tim (Bill Charleson) (Saxes only) | Slow blues |
| *Travelling (Alan Wakeman) | Fast |
| Ulterior Motive (Alan Hare) | Jazz waltz |
| *Wallington Boots (Arthur Mead) | Bright swing |
| Water Babies, the (Paul Higgs) | Slow rock |
| Way You Ain't, the (John Clark) | Bright swing |
| While the Cat's Away (Mick Sheppard) | Medium |
| While You're Down There (Rick Taylor) | Medium |
| Whose Mood? (Norman Moy) | Medium |
| Winter Sleep (Norman Moy) | Ballad |
| You Again (Chris Smith) | Fast be-bop |